paul
his long white beard falls rudely
to greying chest hair, a worn
mountain of brave obtrusiveness
forming a furry second jaw of sorts
that opens when he speaks with a
wholesome drawl, the kind borne
from countless nights of buzzing
blacktop, snapping American flags,
and Jack Daniels always near at
large, meaty hand. he tells me
stories stained with tiremarks, about
the scream of an Old Sioux after peyote
fast and wise like the swift itch
of wind and leaves. or a mute Vietnam
veteran with a hook for a hand who could
still tie his shoes perfectly, and whom he
hitchhiked with in the pounding snow
for three days, till the man got angry
flagging down a car by busting a window
open, holding it with his powerful arm
and the rusty metal of his hook. or with
salt water tears spicy enough to scorch
the pavement beneath, he speaks of his
dog Jefferson, a brown rotweiler who
became an alcoholic after so many funnel
parties and wild nights, finally having
to be put down. all i can hear is his
voice, of course, standing near his truck
decorated with magnets that look like
bulletholes. i want desperately to say,
"those days are all over. you are only
a memory given recognition when someone
speeds at streetlight, or buys an old
Harley. you are only a phantom bathed
in the dim light of your open driver's
door." i do not, needless to say, and
i see ghosts in his fierce eyes as we
stand, and the rain gently on his memories.
by John Thomas Allen
to greying chest hair, a worn
mountain of brave obtrusiveness
forming a furry second jaw of sorts
that opens when he speaks with a
wholesome drawl, the kind borne
from countless nights of buzzing
blacktop, snapping American flags,
and Jack Daniels always near at
large, meaty hand. he tells me
stories stained with tiremarks, about
the scream of an Old Sioux after peyote
fast and wise like the swift itch
of wind and leaves. or a mute Vietnam
veteran with a hook for a hand who could
still tie his shoes perfectly, and whom he
hitchhiked with in the pounding snow
for three days, till the man got angry
flagging down a car by busting a window
open, holding it with his powerful arm
and the rusty metal of his hook. or with
salt water tears spicy enough to scorch
the pavement beneath, he speaks of his
dog Jefferson, a brown rotweiler who
became an alcoholic after so many funnel
parties and wild nights, finally having
to be put down. all i can hear is his
voice, of course, standing near his truck
decorated with magnets that look like
bulletholes. i want desperately to say,
"those days are all over. you are only
a memory given recognition when someone
speeds at streetlight, or buys an old
Harley. you are only a phantom bathed
in the dim light of your open driver's
door." i do not, needless to say, and
i see ghosts in his fierce eyes as we
stand, and the rain gently on his memories.
by John Thomas Allen
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